Capturing a revolution

 Fashion blogger and stylist Nabilah Kariem

While the field of photography is predominantly male, female photographers are making serious moves in the industry and defying the norm.

 

Rizqua Barnes, a Cape Town-based photographer, is someone who has been at the forefront of the new wave of female photographers who have gained well deserved recognition and praise.

“Currently, with smartphones offering high definition cameras, just about anyone can label themselves as a photographer. However, it’s the professionals such as Barnes who stand out”

The designated playing fields are social media platforms such as picture driven Instagram, Facebook and Pinterest. Photographers and bloggers alike compete for a spot in glossy magazines, newspaper and online portals. The leading and popular photographer genres include general photography, socials, portraits, nature and fashion.

Carving your spot at the top is not easy, and like any other career, the field requires hard work, focus and individuality, says Barnes.

I first met Barnes about two years ago on live video sharing platform Snapchat. Her snaps (pictures of her daughter Nura melted my heart) and her everyday life intrigued me. Her diverse professional portfolio on Instagram includes photos of models, personalities, fashion bloggers and just about every other thing that catches her eye.

Curious about how she became a photographer, I asked her: “When was the first time you picked up a camera?”

She said: “I was in Standard 5 (grade 7). I don’t remember what type of camera it was exactly but I got it from my aunt and it was a film camera. I borrowed it for camp.

“I was way too young at the time and never really gave it much thought. Thinking about it now, taking pictures is something that I have always enjoyed.

“My dad Fuad Barnes had a camera as well and was always taking pictures of our family. When I finished school, my sister Quanita borrowed loaned me her camera when we went on holiday and I took pictures of everything.

“I went on a paddling boat and the camera fell into the ocean we still laugh about this until today. Since then I am always super careful with a camera.

“I was always obsessed with sunlight, light and trees. There is a certain time during the day, the hour before sunset, when the sun shines on spots which are usually hidden during the day the golden hour, it’s called”

Model Ashleigh Herman wearing The Design Wearhouse 

 

Now a fully fledged “Girl Boss” #GirlBoss , Barnes credits Facebook for propelling her career to where she is now.

“I have been on my toes since the beginning of my career and I am still on my toes. Ever since Facebook happened, things have been happening for me and it hasn’t stopped,” she says.

“From weddings to engagements to 21st birthdays, matric dances and family photos. I have shot everything. Everything you can think of, I have shot it”

“But right now, I have found myself, after 10 years in the industry. I am currently enjoying fashion and portraits photography.

“All my life, I have always told myself that I want to be my own boss. I never want to work for anybody. I worked in retail for three years and it made me realise that I am worth more than a 9 to 5. I felt that I was wasting time being desk bound when I can be everywhere, meeting people, taking pictures and creating content. I have always been driven, entrepreneurship is just in my blood;

“There are times when working for yourself is scary but it’s worth it,” she says.

Models Wekwa Tenzi and Alina Castle wearing Shop Brett Robson

Her portfolio now also includes wedding photography, a category she fell into by chance.“More female Muslim photographers started popping up and this was a nice thing to witness. At times when I couldn’t take on more work because I had too much on my plate, I would refer clients to other female photographers.

“It was a big deal for me because at the time I felt as if I was the only female photographer amongst males, especially in the Muslim community which was very male dominated and it was tough.

“Men and the older generations didn’t take a female with a camera seriously.

“When more and more women photographers came onto the scene, it was like a weight off my shoulders.”

How does she go from being a wedding photographer to shooting glamorous models?

“With weddings, I became more of a people’s person. I actually know how to make people relax in front of a camera. It’s a power that we have as photographers,” she explains.

“In fashion, you are one-on-one with someone, and it’s such a big deal because it’s up to me to make the person comfortable. Whether or not you are an experienced model, you still get nervous”

 

“Currently, my aesthetic is a clean and fresh look, but yet I still want the photograph to pop. I still want people to go wow! When they see it, there should be little for me to explain in a picture.

“I always want the viewer to know what they are seeing immediately. The model needs to connect with the viewer,” adds Barnes

A portrait of Rizqua by Thabit Kamaldien

** Connect with Rizqua  on Instagram https://www.instagram.com/rizqua_barnes/?hl=en 

*See more of my work here: http://www.iol.co.za/lifestyle/style-beauty/fashion/5-menswear-trends-you-need-to-know-10442700

*See more What drives a designer?

Kwena Baloyi hair photography series titled “Afrikan Krowns”

Kwena Baloyi . Picture by Trevor Stuurman

For a long time the controversial issue of black women’s hair has been debated on mainstream media. Even though arguments continue as to whether it is correct or not to have relaxed hair and wear weaves and wigs, I am excited to see a shift in the narrative. The internet and social media are at the forefront in driving the story of “my hair, my crown”. I spoke to fashion stylist Kwena Baloyi, whose Instagram photography series of beautiful hairstyles celebrating black hair caught my eye.

Kween Kwena. Picture by Nonzunzo Gxekwa 

Tell us about yourself? My friends and industry peers fondly call me “Kween Kwena”. I’m a vivacious, high-spirited and fun person (or so I’m told). I’m from Moletjie Ga-Makibelo in Limpopo. I’m a professional, on-demand TV, magazine and personal stylist. I’m also a fashion adventurist, who explores different clothes to come up with unique styles. I consider myself a fashion therapist because I help people find their fashion identity. I’m low-key obsessed with hair too.

Tell us about your interest in hair? Like every young woman I have come a long way with my hair.

Most of us, as black women, have had a contentious relationship with the kink in our coily hair and it’s been influenced by what society tells us is “acceptable”

I’ve been through that phase where my hair needed to be straight because I thought that was “appropriate”. My natural hair was called “untidy” or was not appreciated by those around me, so I thought it would be better to straighten or shave it. The older I got, the more I appreciated what my hair meant to me and what it represented to me as a woman in a society with so many negative connotations about African people’s hair. Now I wear my hair how I like because it’s an extension of who I am. It expresses my personality more than any item of clothing could.

Picture by Nonzunzo Gxekwa 

What inspired your social media hair photo series? Being a stylist affords me the opportunity to travel to different parts of the country and to meet many different characters. Each person I have met has always had an interesting aspect of their hair. Some stand out for being unique, while some simply intrigue me because they choose to be “regular” for the sake of fitting in. Experiencing this variety of people sparked the notion of how people relate to their “crown” – which is what your hair is essentially. You can choose to have it bold and in your face, or like other hairstyles considered “generic” or “normal”.

 

I’ve also been attracted to how different tribes around the continent wear their hair – particularly in West Africa.

There is a lot of documentation by history scholars and international artists about black people and their hair. The natives of Ugogo, whose hair traditions are exceptional, are one of a few. There are also the Fante women of Elmina (Edina) in Ghana, who had beautiful thick hair and their hairstyles were always so intricate and crafted to perfection. In fact, my current coiffure hairstyle is inspired by women in West Africa. The hairstyle was later made popular by our beloved mama Miriam Makeba. South Africa also has threading and plaiting techniques that are unique and allow us to express our personalities.

Who is responsible for creating the beautiful hairstyles? My go-to stylist is Ncumisa “Mimi” Duma. She’s a talented hair magician and understands the importance of treating natural hair with care. Can you believe my hair has not seen a hair dryer or endured any artificial heat since I started growing it? It’s the healthiest my natural hair has been in ages!

Does your series have a title? Yes. It’s called “Afrikan Krowns”. We are each Afrikan and each have a Krown. Your Krown is an extension of who you are and an expression of your personality/character. The series looks at how each person chooses to wear their Krown with pride.

 

Can you tell us what triggered your hair interest? This will sound so clichéd, but do you know the song I am not my hair, by India Arie? It’s always been one of my favourites jams, but it wasn’t until years after I heard it that I began to understand what she was really saying. Often as young girls we sing along to a song without really understanding what its purpose or message is. The way India describes her “hair story” in the first verse is how my hair chronicles kinda went. You start with whatever hair your parents decide you need to have. Then you become a little girl who does certain hairstyles because that’s what the school deems acceptable. From there you become a teenager, get influenced by pop culture and base your hairstyles on what’s “trending”. Then you become an adult and still get peer pressured into doing what your circle finds palatable. Eventually, your hair starts to fall out because you’ve either put way too many chemicals in it or braided it for too long or sewn on too many weaves.

How do you see natural hair empowering women? For me it says you’re slowly, but surely, getting to a point where society’s standards of beauty don’t define who you are. You no longer feel forced to relax your hair or wear a weave just because the expectation to have straight hair weighs you down.

You are ready to celebrate your hair and turn it into whichever shape of krown you desire because it’s an extension of who you are, but by no means defines who you are. In many ways, I hope black women feel free to be whoever they choose to be through their krowns.

Any last words? Women need to understand that the type of hair they choose to wear is not linked to who they are or who other people assume them to be. Whether you’re into braids, weave, wigs, fades, cheese kop, dreadlocks, afro, or anything else you find appealing, remember your hair is your krown.

No one can dictate what it should look like nor what it should mean to you. What matters is that you love it, nurture it and make the most of it.

 

*Connect with Kwena on Instagram: @kwenasays

Connect with me on Instagram @Nontando58 https://www.instagram.com/nontando58/?hl=en and find more of my work here: http://www.iol.co.za/lifestyle/style

This piece was first published in the Top of The Times on June 9 2017

What drives a designer?

Picture: Simon Deiner/SDR Photo

When it comes to clothing brands, sometimes all it takes is a clean and distinct design aesthetic that will set you apart from the saturated market. Streetwear brand Unknown Union (UU) is one of a few South African labels which have managed to stand out with its distinct tracksuits and separates like T-shirts, caps, socks and jackets

I get to know the founder of the brand, Jason Storey.

Tell us a bit about yourself. I wasn’t always a designer. I actually spent my early career as an in-house corporate attorney in New York, working around the clock on deal after deal. But I always had a passion for expression outside the field of law. I grew up surrounded by the study of art (my father was an art dealer).

Tell us about starting your label.Unknown Union was born from that passion, but it’s vision has changed significantly since its origins. My family and I have been travelling to South Africa since I was much younger and it is through that experience that I developed a deep affinity for the people, places and cultures here. UU originally was originally founded in 2010 and at that time we primarily imported brands from outside of South Africa, such as Obey, Levi’s Vintage, Pendleton, and Warriors of Radness.

We also were the first to officially introduce Top Shop to the African Market through our exclusive pop up shop. Around 2011, we began developing our in-house clothing brand, UU, which was inspired by local art and culture, and it didn’t take long before this became the primary focus of our shop. Today, you can find our range at our newest location in Cape Town CBD (44 Bloem Street), where our garments celebrate the rich cultural history of Lesotho and South Africa and several new design projects that touch Angola, Congo and Kenya.

Model, Sanele Xaba is the face of UU. Picture: Simon Deiner/SDR Photo

What’s it like being in the fashion industry? The fashion industry is fun, but challenging.

From the outside the industry can easily appear to be sexy and glamorous, but people don’t always see how much work and effort goes into the creation of each garment. From design to production it takes a team working meticulously around the clock to produce something worth buying.

 

How would you describe your brand? We believe that there is something that binds every person on this planet together. There is no name for that thing. There is no way to smell it, taste it, feel it, see it, etc. But we all intrinsically recognise that it exists. That’s one of the meanings behind our name, Unknown Union.

How difficult is it to remain original when streetwear brands seem to emerge daily nowadays? If you are pinning your originality on the uniqueness of your design, then few designers can meet that standard because almost every design you could think of to drape the human body has already been thought of or created.

Is it important for the brand to have the clothing worn by celebrities? While we are thankful many celebrities have taken an interest in our brand, our clothing is designed for everyone .

How have you seen the role of social media develop for you as a brand?

Social has media has become more of a focus for the brand over the last year. Until recently, word of mouth and print were our primary marketing vehicles.

 

Picture: Simon Deiner/SDR Photo

What’s next for Unknown Union? Our UU family can expect to see new and innovative capsule collections from upcoming collaborations with local and international artists. Everyone is invited to come through our flagship Cape Town shop for the launch of our next exhibit: Fashion Art.

Connect with Unknown Union on Instagram @unknownunion https://www.instagram.com/unknownunion/

Connect with me on Instagram @Nontando58 https://www.instagram.com/nontando58/?hl=en  

Find more of my work here: http://www.iol.co.za/lifestyle/style

This piece was first published in The Mercury on June 9 2017. 

Some of the SA Fashion Week S/S17 Highlights

The Woolworths StyleBySA showcase by designers  Rich Mnisi, Thebe Magugu, AKJP, Pichulik, Maria McCloy, Sol Sol, Selfi and Young&Lazy. Pic by Simon Deiner/SDR Photo

The SA Fashion Week Spring/Summer 2017 showcase wrapped up at Johannesburg’s Hyde Park Corner Shopping Centre yesterday bringing together the fashion elite.

A crowd of buyers, bloggers, designers and photographers assembled for five days of runway shows featuring ladies wear and men’s wear.

The event also featured a trade show and pop-up stores wing where curated displays were on show for guests to browse and purchase the latest collections.

Guests participated in informative talks with selected designers who shared their expertise with aspiring fashion designers.

There were more highlights than lows which is refreshing to witness as younger designers put out well designed garments that can easily compete on international runways. The visiting designers from Norway and China brought in much-needed inspiration.

Here are some highlights:

* Woolworths launched its 2017 StyleBySA seasonal campaign, featuring a capsule collection of eight local designers who are making waves in the industry. The capsule collection features designs by Rich Mnisi, Thebe Magugu, AKJP, Pichulik, Maria McCloy, Sol Sol, Selfi and Young&Lazy. From modern streetwear to footwear and accessoriesinspired by our continent, the collaboration received raving reviews.In a first for SAFW, the collection was available online straight from the runway.

Sheila-Madge

* Four South African designers competed for a opportunity of a lifetime. The prize of a travel seminar to Berlin Fashion Week courtesy of Lufthansa German Airlines. Designer Sheila-Madge won with her presentation of art decor designs decorated with florals and embellishments. Also the highlight of the night included the Durban University of Technology (DUT) X showcase where students were given the platform to showcase their spring and summer collections.

* Chu Yan, one of China’s top 10 designers, of Chinese clothing brand CHUYAN presented a beautifully crafted collecting titled “A date with a thousand years” in collaboration with bespoke jewellery brand “Impilo”. The meticulously made and presented collection in shades of burnt orange and green consisted of ready-to-wear garments and tailor-made costume that left me breathless.

 

Rain ware by DUT student Nishthi Sewnath

* For more runway shows and designer info visit: http://www.safashionweek.co.za http://www.safashionweek.co.za/category/designers/nishthi-sewnath/collections-nishthi-sewnath/?post=32419

Instagram: @safashionweek.

Lexus SA Menswear Week A/W’17

Jenevieve Lyons, Collection name: de-frag-mented (undated) picture by  by Simon Deiner / SDR Photo

Africa’s only menswear-focused fashion showcase, the fifth edition of the Lexus SA Menswear Week, took place this month at The Palms in Woodstock. I chatted to three designers whose work was among those that stood out, about their collections and inspiration.

Jenevieve Lyons (South Africa)

Collection name: de-frag-mented (undated)

Tell us about the concept behind your collection? The collection was an amalgamation of my two previous collections: Macula Autumn/Winter 2016 and Deferential Spring/Summer 2017.Both these collections carry immense relevance internationally , allowing us to showcase Macula Autumn/Winter 2016 in Helsinki, in Finland, at the end of last year.We felt that a revisit would be pertinent, thus seeing the opportunity for de-frag-mented to arise as a collection.The collection was therefore presented in the manner of an artistic installation showcasing a concise, five-look collection featuring all the campaign models from our previous two collections.They were initially disguised behind a stocking, which was later cut open to reveal their faces, and this was intended to tell a visual parable to intrigue fashion-lovers, compelling them to think, wonder and ponder about the reasoning and also reminisce along with us, all three stories in one.

How important is Fashion Week for you? The mission of our brand is to tell parables through our fashion – to take it so much further than just clothes.As a South African designer uniting to build our industry and African fashion’s identity; and to pull this clichéd identity of “ethnic” and print to a more modernistic view that can be placed next to an international brand and be understood globally.So the importance of realising cultural, social, political and environmental issues within a fashion context to educate and build renewed perspectives on the African fashion industry is imperative.

Where do you go to seek artistic inspiration? I am aware of my surroundings at all times – politically, socially, news-driven, culturally – all in all to be tapped into the zeitgeist every day, at every moment. I find inspiration in organic places.I will experience or witness something or someone that will spark interest, and this interest links up within my fashion forecasting stream.

Nicholas Coutts  picture by  by Simon Deiner / SDR Photo

 

Nicholas Coutts (South Africa)

Tell us about your A/W17 collection you presented at the Lexus SA Menswear Week? For this collection, I drew inspiration from South Africa’s diverse culture combined with a strong 1970s influence.I aimed to create fresh and dynamic garments that the contemporary man can wear while making a subtle impact.There are glimpses of metallic touches of texture running through the collection. The colours give a warm and happy atmosphere, and sophisticated tailoring.

My collaboration with House of Grace design (macrame bags) and milliner Crystal Birsch for the hats added a vibrant and innovative mood which energised the collection.Styling for the collection was by Peter Georgiades. He brought a fresh approach to the styling and another point of view to the collection.It was important for me to collaborate this season to empower both myself and those that I collaborated with.

What were the first steps you took in the fashion world? My interest in fashion was sparked from an early age. I come from a creative family who have been supportive in my career from the beginning.After studying fashion design for three years, I worked learning different aspects of fashion industry before starting my own brand.

What is it like working for yourself and who is your dream client? I work with a pattern maker and a seamtress, and it’s quite lonely sometimes. It’s challenging as I have to do it all, from PR to overseeing garment construction to designing. However, in the end, the final product is very rewarding.

 Mai Atafo Atalier picture by  by Simon Deiner / SDR Photo

  Mai Atafo Atalier (Nigeria)

Collection name: Me

Tell us about your Lexus SA Menswear AW’17 showcase? Me is a collection that describes my journey from when I was 19 years to this present day. In my early years, hand-downs from my siblings and shopping second-hands because one couldn’t afford cool new clothes made up my wardrobe.Added to this was my need to stand out by reinventing these pieces through reconstructing or sometime deconstructing them.Hand print by Dricky_ helps tell a literal story (my first fashion collaboration). The base of all this was my love for denim, velvet, corduroy (ridged velvet) suede and camouflage print.

I also used houndstooth (a pattern with notched corners suggestive of a canine tooth) which I consider to be the most technical check pattern, which could be fun and serious at the same time.Tie and dye for character and the obvious knitwear just because it’s Autumn/Winter and Verraomo is amazing as she knits herself.

In the past few years, my love for tuxedos led to a path where I can respect the dress-code and also give it twist, which is subtly visible by the velvet taping on the trousers matching the jacket fabric (velvet) rather than the conventional trouser tapping matching the lapel of the tuxedo jacket.

Not to forget the smoking jacket with our trademark shawl peck lapel (like all the tuxedos in the collection) with houndstooth trousers rather than the traditional tartan checks.

“For once, the collection wasn’t about predicting consumer trends but one that’s truly me and what I love”

The fashion industry is very competitive. What sets your brand apart?As bespoke tailor and fashion designer, what sets me apart is fine tailoring, fit, quality and ability to create garments that incorporate this with edge and fashion forward design, which sets us apart.

This piece was first published in the Cape Times arts and lifestyle supplement Top of The Times on February 17 2017.

See more of my work at : http://www.iol.co.za/lifestyle/style/fashion/menswear-revisited-7804232

Connect with me on Instagram and Twitter @Nontando58 

 

SA Menswear Week, highlights so far.

A Chulaap by Chu Suwannapha design  showcased at Season 1. Photo by SIMON DEINER/SDR

Seeing a gap in the fast-growing category of menswear, fashion photographer Simon Deiner and businessman Ryan Beswick developed a platform that is now responsible for promoting menswear designers in Africa. Entering its fifth season, the LEXUS SA Menswear Week (Lexus SAMW AW’17) is the only menswear-focused fashion week on the continent.

Over the past four seasons, we have had an opportunity to witness some of the best in menswear by both emerging and established designers from around Africa, some of whom have gone on to gain international exposure. Rich Mnis, Jenevieve Lyons, Chu Suwannapha, Craig Jacobs, Orange Culture and Laduma Ngxokolo are now recognised internationally.

My highlights include the debut range of Chulaap by Chu Suwannapha showcased at season one. The styling, design and the prints show Suwannapha’s artistic aesthetic and his love for the colourful African continent.

Lukhanyo Mdingi’s androgynous collection of dark navy, blue and black made up of sheer silk and denim separates from season two remain fresh in my mind. The range brought forth the growing trend of gender-fluid fashion. The collaboration of Adriaan Kuiters and Jod Paulsen (AKJP) from season three showed that a meeting of two creative minds can lead to magic.

A design by Lukhanyo Mdingi. Picture by : SIMON DEINER/SDR PHOTO

For Deiner, there have been many highlights: “I remember the first season where we did a team photo at the end and there were about 50 people involved. And when we took the group photo at the SS17 collections last July we had just over 150 people in the pic. “Other highlights have been watching our young designers shine and grow into proper household names and along the way start businesses. I have also enjoyed seeing how men in general now perceive the concept of wearing locally made clothing as something they are proud to do,” Deiner says.

A lot of hard work and dedication are necessary for a designer to stand out from a saturated industry competing against cheap imports and fast fashion. Funding, production and affordable and quality fabrics are just some of the challenges that our young designers are facing, which play a hand in preventing them from maintaining profitable businesses.

Kim Gush by SIMON DEINER/SDR PHOTO

Kim Gush, owner and designer of Kim Gush apparel, adds: “I think local consumers still love to compare designers to big retailers, especially where price is concerned. We are still constantly faced with the snub at our price tags… consumers forget that the items aren’t mass produced, therefore you are receiving a unique piece. And at the same time you are supporting our local manufacturing industry – which to be honest, needs every tiny purchase to try to revive it.

“Buying local means you are helping in developing and bringing our industry to those ‘international’ levels you so dearly desire as well as keeping jobs going,” she says. “Take the time to get to know all those brands you watch at fashion week. A lot of people are just there for the social, but they forget the heart and soul that goes into every garment presented, the dreams the designers have for this industry to flourish,” she says. 

For Suwannapha, who will not be showcasing at Lexus SAMW AW’17, the fabrication and the manufacturing are problematic. “Hopefully, some of the courier companies will work with fabrics agencies towards bringing fabrics to minimal costs, or I might have to live with the high labour costs as long as I’m producing in South Africa,” he says. “(This year) is all about expanding and building my brand. Collaboration will be a part of my brand’s personality, which will be coming soon and will be available online in South Africa,” Suwannapha says.

The collaboration of Adriaan Kuiters and Jod Paulsen from season three. Picture: SIMON DEINER/SDR PHOTO

One of the youngest showcasing designers, Mzukisi Mbane of Imprint, adds: “When it comes to fashion week, I think we all take away what we want from it.“The fashion week benefits should always extend beyond the applause after a runway show. For instance, you get an opportunity to sell yourself to a wide audience that you wouldn’t normally be able to reach. “After my first runway show, I got invited to go to Ghana then Nigeria… I was instantly not just a South African brand, but a recognised African brand,”says Mbane.

A Imprint by Mzukisi Mbane design. Picture by SIMON DEINER/SDR PHOTO

On what to expect at his showcase next week: “The collection is based on a fictional character I created. It’s an Ndebele man who decided to leave home and travel the world.

“The collection includes a lot of colour, oversized silhouettes, genderfluid pieces. Which is truly the Imprint Afro futuristic aesthetic… it expresses a free spirit which challenges made-up perfection. “As the collection is titled “I couldn’t be bothered”, one will take away whatever they want from the collection… and that will be okay,” he adds.

LEXUS SA Menswear Week will take place at The Palms in Woodstock on February 3 and 4 2017.

Tickets are available at http://www.webtickets.co.za.For a full schedule see : http://www.menswearweek.co.za/

See more of my work here: http://www.iol.co.za/lifestyle/style

Connect with me on Instagram and Twitter: @Nontando58 https://www.instagram.com/nontando58/?hl=en

This piece was first published in the Weekend Argus (Sunday) on January 29 2017. 

Living in colour…

I took up the Fruit of the Loom South Africa “colour blocking challenge” with Zando and this is what I came up with. What do you guys think? I styled their t-shirts by wearing all four in one…I bet you haven’t seen basic t-shirts styled in this way before;-) The blue lipstick is from M.A.C .

Summer is here Fashionistas and it’s time to stand out in colourful clothing. I love colour and prints, no matter what the season is. From bright lipsticks to clothing and sneakers…gimme, gimme colour any day!!!

#NontandoWoreWhat The mandarin jacket is a Nontando original (yes, I design my own clothes. Look out for my label soon)

Credits: Pictures are by Khuthii @Khuthii on Instagram.

Location: The beautiful Lourensford Estate

Connnect with me on Instagram, Twitter and Snapchat @Nontando58

 

 

Michelle is on a Michion

Michelle Heslop, of luxury fashion space The Bromwell Boutique Mall, is an advocate for African talent. Her boutique prides itself on selling and promoting art and fashion apparel that is made locally by Africans, for Africans. Drawing inspiration from this, Heslop recently launched the boutique’s in-house brand Michion, “for strong women who are not afraid to dream big and live life to the fullest”.

“The Bromwell is all about making, shaping, exposing and offering beauty made locally and around Africa, and I strongly believe in this mission,” says Heslop.

“Over the years, I have been active in creating a platform for young designers who can have their creations and brands showcased in an intimate and tailored space. Being this involved in curating such a space brought to life a hidden passion in me which I have overlooked, which is designing clothes.

“My brand is about making clothing for women who are carrying out their own life missions. It is simply about clothing that works… my focus is on easy-to-wear and one-piece-ready garments. Which makes the ‘getting dressed’ part of life fun and spontaneous,” she says 

The Michion debut range includes body-flattering bodycon dresses, faux fur gilets and tweed coats in textured and muted colours. The fabric quality is topnotch, a testament to Heslop’s welltailored style.

“The brand’s phrase is ‘I like me’, which says the Michion woman is confident, she loves life and lives it fully, pushing the limits of her goals and her experiences. And she wants to look good doing it,” she says.

 

Michelle and I wearing the Michion tweed coats 

Heslop’s love affair with fashion began from a young age. The process of dressing up and how one can use clothing to tell a story about oneself has always been interesting to her.

“I used to pay extra attention to how clothing made me feel, what the clothes were made of and the functionality of each piece. “It was something very natural for me to take up a career in the fashion industry. The biggest lesson I’ve leant so far is ‘Don’t be limited in what you feel is possible on your journey… let life surprise you’,” Heslop says.

Heslop’s signature style varies. There is the elegant, graceful and classic woman on one hand, and on the other a wild child who enjoys dressing up in flowery, bright, sexy clothes.

Michelle, queen’ing in the Michion red bodycon dress. 

“My aesthetic will flaunt these extremes. I’m inspired and drawn to women who are comfortable in their own skin. Who have lived full and thrilling lives. Who design from a place of real experience and real inspiration. Diane von Furstenberg is one of the designers who inspires me,” she says.

“There is a significant interest in African designers at the moment, and it’s time we use this to our advantage,” says Heslop.

“We appreciate the attention around the talent coming out of Africa. It’s certainly fast-tracking a lot of our young designers. “However, more attention should be given to that hard-working designer who is making wearable clothing that women love and rely on, as opposed perhaps to the designer who is an exhibitionist, who enjoys creating a stir,” she said.

● Shop the Michion range at Bromwell Boutique Mall at 250 Albert Road, Woodstock, Cape Town. Connect with Michelle on Instagram: @Michelle Heslop

Connect with me on Twitter and Instagram @Nontando58

This piece was first published in the Cape Times ‘Top of the Times’ supplement on December 9 2016. 

New Month, Fresh Start.

Hello December!!! As I welcome my favourite month beacuse it’s my birthday month and it means Summer is officially here!  I started a new journey today, as the Fashion and Beauty Editor for the Independent Media group…my dream job fam. I am so grateful and excited for the future;-)

So… naturally, I had to SLAY on my first day at the job. #NontandoWoreWhat 

Top by H&M South Africa 

Pants by Top Shop 

Socks are by Happy Socks the “Local Hero” edition

Shoes by Steve Madden

The pictures are by Tracey Adams 

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Reflecting the times, refreshing fashion

Fashion designer Rich Mnisi is one of South Africa’s celebrated talents in the fashion industry. Launching his brand “Oath” soon after being announced as one of the winners of Mercedes-Benz Fashion Week Joburg AFI Fastrack in 2014, Mnisi may be a newcomer to this competitive industry, but his brand is well-respected – at home, in Africa and overseas. I speak to him about his journey and SS’17 collection.

What sparked your interest in fashion? My whole family has some sort of interest in fashion, particularly my sister. Watching her prepare to go out was absolutely incredible. She’d take time to do her hair, make-up and style her look, and if she didn’t like something about the way she looked she would just alter the clothing on the spot.

“The proportions and moods I explore come from my mother and the need to push the envelope comes from my sister”

What made you take fashion more seriously and make a career out of it? It was when I learned about Lisof Fashion School and what it had to offer. I never saw fashion as a viable career option, it always felt so glamorous and bizarre. But exploring the business side of it was enlightening.

How has your work evolved since you started your own label? I can’t be specific as it has been a gradual growth. The brand is gradually growing into its own attitude and style. Does your approach differ when designing menswear compared to womenswear? No, I approach them the same way.Usually something intended for a man ends up on a woman and vice versa.

What is your creative process? Music is at the beginning of it all. I let the music I listen to lead the way – define the proportions, mood and colours. Then link all of that with the inspiration of the collection.

How do influences from outside South Africa find their way into your work? It’s the time I’m in, information is everywhere. My work is conversation driven. All the conversations I have with my friends and myself influence my work.

What are you fascinated by at the moment and how does it feed into your work? The beauty in blackness. I almost apply a Solange Knowles: for us by us approach.

Do you have a specific research process when you start a new collection? Not necessarily, it needs to come naturally. I don’t start a new collection unless I know what I’m trying to say through it.

“The research process comes with the Reflecting the times, topic at hand and they can’t all be tackled the same”

What is the biggest lesson that you have learned since you started your company? That I’ll never stop learning. It’s not as easy as it looks. It’s a very complex industry; you almost need to stop thinking about it too hard to make the best decisions.

“The support for young designers could definitely be better, but it’s also on the young designers to educate themselves and find a means to communicate their ideas”

I’ve also had to learn about the business. Sometimes creative meets corporate and the two need to work together. I still go 60 percent creative and 40 percent corporate, for my sanity.

How would you describe your design aesthetic? It’s a reflection of time, and it develops as time develops. Do you feel there’s significant interest in young designers? Definitely, I think young designers stripped fashion of its glamour and tackled it in an honest way.

Designer Rich Mnisi

Who inspires you the most in fashion? My peers: Orange Culture, Tzar, Lukhanyo Mdingi, Nicholas Coutts, Jenevieve Lyons, Nao Serati, Thebe Magugu, Selfie, Young & Lazy, Tsepo Tsotetsi, AKEDO. Describe the person you have in mind when you design? A curious mind, a fashion enthusiast, a traveller.

What’s your motto? The philosophy stems from the need to remind people of the importance of expression and not feeling lost in a world of globalisation and trends, but to use this more exposed world as your motivation to live fully.

“It’s about being unapologetic about your stance and knowing that it may never be accepted by many, but as long as you do it well it will translate”

What’s next? Our A/W 17 Collection

● Shop Rich Mnisi’s collection at  Rich Mnisi  or at . Spree

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This piece was first published in the Cape Argus  on November 30 2016